My work begins with expansive fields of bold color—spaces that feel atmospheric, emotional, and immersive. Onto these grounds, I introduce intuitive lines, arcs, and small repeated marks that move across the surface with a sense of rhythm and inevitability. These gestures aren’t measured or mechanically precise; they emerge through a slow, responsive process, guided by attention rather than technique.
I’m interested in the way a single mark can shift the entire balance of a composition. How does movement interact with stillness? How does a quiet gesture change the gravity of a color? The rhythmic tick marks function almost like breaths or steps, soft interruptions that register time and presence. Together, the elements form visual pathways that explore how structure and emotion coexist.
Each painting is a meditation on subtle change: how a gesture accumulates meaning, how a color carries weight, and how small disruptions create new spatial possibilities.